Tempest Fugit


In the spiffed up, though decidedly unmysterious and subway-plagued Cathedral Church of St. Paul on Tremont Street, the Henry Purcell Society of Boston produced a winning and lively sonic pastiche on The Tempest.    [continued]


Four Femmes to the Fore


The enterprising Neave Trio (Anna Wiliams, violin; Mikhail Veselov, cello; Eri Nakamura, piano) brought music by four female composers from the 19th, 20th, and 21st centuries to the Pickman Hall on March 15th.    [continued]

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Concordant by the End


The Takács Quartet took a while to get going Sunday at the Concord Chamber Music Society, but gel it did.    [continued]

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Gerstein and Adès Reprise Tanglewood Gig


Celebrity Series and the Boston Symphony Chamber Players jointly offered BSO regular Kirill Gerstein and BSO Artistic Partner Thomas Adès in a two-piano concert at Jordan Hall on Friday night, including some of the most familiar 20th-century repertory in unfamiliar guises.    [continued]

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BLO’s Lucretia a Potent Symbol


Boston Lyric Opera’s new production of Benjamin Britten’s The Rape of Lucretia premiered this past Monday at Artists for Humanity EpiCenter, an unusual space for a rarely seen 20th-century opera. The Tyrant is overthrown because of a sexual transgression. This rings true today as for the bards of ancient Rome.    [continued]

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Blue Heron’s Ockeghem Delights


A nine-strong contingent from the Renaissance vocal ensemble drew a full crowd to First Church in Cambridge Saturday for the group’s ninth installment of its Ockeghem@600 concert series.    [continued]

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Versatile Flutist Borrows and Charms


At Longy last Tuesday, Sergio Pallottelli delivered compelling wood flute takes on Beethoven and Brahms violin and piano sonatas as well as a pleasing CPE Bach Sonata for Flute and Keyboard (repurposed for harp), and a charming morceaux by Gaubert.    [continued]

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A Bad Case of Lovin’ Longwood


On the basis of Saturday’s Jordan Hall benefit, Boston’s medical orchestra presents in continued good health and needs only a little managed care.    [continued]

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Competent Jephtha Lacks Spark


Handel’s Jephtha, in Boston Baroque’s show in Jordan Hall Friday, night left me craving catharsis. In the title role, tenor Nicholas Phan exhibited his customary careful musicianship, with the round refinement of a bowler hat, and plosive Ts crisp enough to hang it on.    [continued]


Di Donato and Friends Laid-back & Charming


A conquering heroine in her Celebrity Series debut, Joyce Di Donato packed Jordan Hall on Friday night as part of the cross-country charm tour of her new show (and CD) “Songplay.”      [continued]

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Chamber Players Reorient Programming


The Boston Symphony Chamber Players concert on Sunday afternoon was a somewhat unusual affair in that the usual orientation of programming was reversed: just one 19th=century piece (and an uncommon one at that), one 20th-century classic, and two, count ‘em, two 21st-century works, including a premiere.    [continued]

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