Conductor Yu-An Chang made an auspicious BSO debut at the Shed Friday with works by two teenage composers, Mendelssohn and Schubert, framing Ravel’s Piano Concerto in G Major with Conrad Tao.    [continued]

Ji Yong Kim closed the Foundation for Chinese Performing Arts summer music series Thursday night at NEC with powerfully projected Beethoven and Schumann.    [continued]

The unshowy Peter Fang has turned into a pianist poet, as his serious, lovely ways with Bach and Brahms demonstrated Wednesday in a Chinese Performing Arts Foundation recital at NEC.    [continued]

Violinist Angelo Ziang Yu and pianist Feng Niu produced a nuanced and varied recital at Monday’s Foundation for Chinese Performing Arts summer concert series at Burnes Hall    [continued]

Burnes Hall resounded with muscle and charm Tuesday night as the young pianist gave the 13^th installment in the 15-concert Foundation for Chinese Performing Arts summer series.    [continued]

Larry Weng returned Friday night at NEC’s Burnes Hall to the Foundation for Chinese Performing Arts summer series with another dense, probing recital.    [continued]

Now on a mission, the versatile and impressive Amernet String Quartet brought its second installment of Beethoven pianos sonata arrangements to the Maverick along with Shostakovich and Dvořák.    [continued]

Jonah Littlesunday played his Native American flutes in mostly original songs and told stories about growing up Navajo on Sunday at the Saltonstall Mansion in Peabody.    [continued]

Boston’s Handel and Haydn Society breathed life into the six Brandenburg concerti at Rockport’s Shalin Liu Performance Center Friday night.    [continued]

Replete with verve and wit and smiles, the Brooklyn-based instrumental, the Knights, played Ozawa Hall Thursday.    [continued]

The pianist’s performance Wednesday evening, in the Chinese Performing Arts Foundation concert series at NEC, was a model of plainspoken effect.    [continued]

Over five days, fellows of the Tanglewood Music Center performed selections spanning from last week to the second half of the 20^th century with skill and heart―ask anyone.    [continued]

Sunday morning’s concert examined the influence of the German aesthetic on late 20^th– and early 21^st-century music with works by Musgrave, Reich and Andrew Hamilton    [continued]

Yo-Yo Ma, one of America’s most affable musical ambassadors, wowed thousands in a plein air traversal of the six Bach solo cello suites at the Koussevitzky Shed on Sunday.    [continued]

With “The Housatonic at Stockbridge” set just five miles away, Charles Ives’s Three Places in New England fit the plein air bill with guest conductor Thomas Adès presiding. Beethoven’s Piano Concerto No. 4, with American/Israeli soloist Inon Barnatan, and the master’s Pastoral Symphony also both meditated on the concept of time.    [continued]

The 2019 edition of the Ohio Light Opera, running between June 15^th and August 10^th, provided a bouquet of seven operettas and musicals covering, as usual, a wide range of periods and styles.    [continued]

The Berkshire Opera Festival’s “Ain’t It a Pretty Night: Excerpts from America Opera” warmed up the company for its upcoming Don Pasquale.    [continued]

Fresh-faced composers of the Tanglewood Music Center showcased three-week-old scores for historical photoplay snippets at the newly opened Linde Center for Music and Learning.    [continued]

Pianist Chi Wei Lo wowed his Burnes Hall audience with “Dance of the Seven Deadly Sins” Friday night for the Annual Foundation for Chinese Performing Arts Festival.    [continued]

Mercury Orchestra’s  thoughtful double bill of late Victorian music invoking Irish culture migrated from the stormy Hatch Shell to Jordan Hall Wednesday.    [continued]

Taiwan-born pianist Hsiang John Tu inaugurated this summer’s Foundation for Chinese Performing Arts music series with a romp through a menagerie of small pieces inspired by the animal kingdom Wednesday at the new Burnes Hall in New England Conservatory Student Life Center.    [continued]

Boston Landmarks Orchestra’s “Deep River” theme connected the black and multicultural communities with people from Boston’s varied neighborhoods Thursday at the Hatch Shell, where fittingly, the Charles River attains its greatest depth.    [continued]

Joshua Rifkin on fortepiano and tenor Frank Kelly put across Schubert’s Die schöne Müllerin and other works with natural horn with tremendous expression yesterday in Hudson.    [continued]

In this summer’s annual “Tanglewood miracle,” over the last weekend, Andris Nelsons led the TMC Orchestra, six leading opera singers, and eight female vocalists of the Tanglewood Music Center, in a remarkable performance of  Wagner’s Die Walküre.    [continued]

A little orchestra that could, and did: Cape Cod Chamber group Sunday afternoon purveyed Sibelius to Still and beyond.    [continued]