According to officials at WGBH, the station has always looked at opportunities to expand and extend its programming, so when it learned that WCRB was going to be for sale, it became the successful bidder. As radio listeners now know, WGBH has become a news station and spawned WCRB (now at 99.5 FM) as its all-classical arm. This is the first of two articles that will deal with the arrangements between the two stations.
Boston Musical Intelligencer learned this morning that the broadcast schedule for Boston Symphony Orchestra live broadcasts was to be cut in half with the dropping of the Friday afternoon concerts; however, the Saturday evening live broadcast will continue with the same personnel that has been bringing it to the radio audience on Friday afternoons since October, 1991.
The Friday afternoon broadcasts were part of the original format of the station and have been running continuously for 58 years. Indeed, the stations’s first broadcast was the Saturday night BSO concert on October 6, 1951, followed by broadcast of the concert the next Friday afternoon. The relationship was even stronger; for the first two years, WGBH’s office and studios were actually located in Symphony Hall, and the symphony programs listed the station’s complete programming.
The voice of no less a figure than American composer Aaron Copland was heard during intermission of that first historic broadcast on October 6 (published in the program book for the following week): “It is particularly heartening to be able to take part in the first broadcast of WGBH. I wish I had known about the plan to establish it when I was in Europe for the first six months of this year, because whenever the question [of American radio broadcasts of classical music] came up, I couldn’t help but feel a bit sheepish.… It is particularly heartening that there is a station of great interest to an adult mind. The field is wide open and I cannot think of an area better equipped than Boston for the carrying out of an adventurous project of this kind.
“As a composer, I am particularly pleased that listeners to WGBH will be able to listen to live broadcasts of BSO concerts. Since each Friday afternoon program will be repeated on Saturday night, listeners will have the opportunity of hearing a new work twice. We contemporary composers like that idea. For the second hearing often tells more about a work than the first. When second impression of a new work may be more or less favorable, it is seldom is exactly the same.”