The most frigid of times, January can also be the most florid of times for new opera in the Northeast. Hot on the heels of New York City’s PROTOTYPE Festival of new music-theater pieces, Boston Opera Collaborative is preparing to open its production of The Scarlet Ibis by David Cote and Stefan Weisman. This adaptation of a popular 1960 short story by James Hurst, a staple of many Minnesotan English curricula, taught in high schools from Rochester to Farmington to Mankato, also runs from Thursday through Sunday at Longy in Cambridge. Tickets HERE.
A tragic story of childhood and illness, The Scarlet Ibis has long fascinated readers. The operatic adaptation by Cote and Weisman first appeared at the 2015 PROTOTYPE Festival, and this year will be staged by both Boston Opera Collaborative and Chicago Opera Theater. Basil Considine spoke with librettist David Cote about adapting The Scarlet Ibis for the stage and walking the line between theater criticism and opera writing.
BC: How did your partnership first conceive of adapting James Hurst’s The Scarlet Ibis as an opera?