A BSO insider muses on plagues, players, and pay in the context of management’s recent staff reductions and Tuesday’s upcoming vote on player salary givebacks.
Like every other American symphony orchestra, the Boston Symphony is challenged to find an artistic and financial path forward through the labyrinth of the COVID-19 pandemic.
An invisible quasi-living microorganism, relentlessly infectious, spreads fear and death among vast populations. Lockdowns, self-isolation, quarantines, contact tracing, and facemasks prove controversial and only partially effective. Social dislocation, anxiety, staggering loss of life, and massive economic downturn threaten to bring a major power to its knees as it struggles to retain its international preeminence. The US in 2020? How about Venice in the 17th century?
The other day, I was practicing the dazzling finale of the Vivaldi Violin Sonata in F Minor, Op. 2, No. 10. Though in the score Vivaldi refers to the movement as a Giga, it has all the frenetic fever of a traditional Italian whirling tarantella. I like to think he opted to call it a Giga, a more acceptable designation than the pagan tarantella, in deference to the sensitivities of his Catholic employers at the Ospedale della Pietà, who nevertheless found reason to fire him on more than one occasion.