The 29-year-old French pianist Lucas Debargue plays Liszt’s Piano Concerto No. 2 with the Boston Philharmonic Orchestra under Ben Zander Thursday and Saturday (Sanders Theater and Jordan Hall, 7pm and 8pm) and Sunday (Sanders at 3pm) in concerts that also include Kodály’s Dances of Galanta and Dvořák’s Symphony No. 7. Following his fourth-place finish five years ago at the Tchaikovsky Competition, Debargue is establishing his reputation as a notably independent-minded musician who apparently appeals especially to the Russian market. He took part yesterday in an extended discussion with this USSR-born reporter.
VK: Moscow, Tchaikovsky 2015. You arrived at the competition with only three to four years of piano lessons under your belt, stole the hearts of Moscow audiences, and received the prize of the audience and the music critics. The locals reported enthusiasm comparable to Van Cliburn’s triumph, of 1958. But before that came the underground period of your career. What was happening before you started your lessons with Rena Shereshevskaya?
LD: I started to get to know more about classical music when I was around 10, and I had my first shock: listening to a Mozart concerto. And then it never left me. I started with my first pedagogue when I was 11-12 and I stayed with her until age 15. She was very kind and very permissive; in Russia it would be considered too permissive. But I am very glad of what she offered me, because she let me explore the piano repertoire and make up my own ideas with my limited means of that moment. It made me conscious of many obstacles, but also it made me develop a global vision of wholeness, so it was not useless at all.