News & Features

January 15, 2019

On Adapting The Scarlet Ibis


The most frigid of times, January can also be the most florid of times for new opera in the Northeast. Hot on the heels of New York City’s PROTOTYPE Festival of new music-theater pieces, Boston Opera Collaborative is preparing to open its production of The Scarlet Ibis by David Cote and Stefan Weisman. This adaptation    [continued]

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January 14, 2019

BMOP Mounts 12-Tone Take on Children’s Book


The Boston premiere of Haroun and the Sea of Stories, Charles Wuorinen’s “an over-flowing feast of witty, inventive music-theater,” will take place Saturday night at Jordan Hall in the third installment of the Boston Modern Opera Project’s season as Gil Rose leads a semi-staged production featuring guest soprano Heather Buck. James Fenton derived his libretto from Salman Rushdie    [continued]

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January 8, 2019

A Far Cry Reflects on a Legacy


In advance of the Criers’ concert at Jordan Hall this Friday, violinist Jesse Irons reflects on a program that encompasses Tchaikovsky’s Andante Cantabile, Vivaldi’s: Concerto for 4 Violins in B minor, Mozart’s Violin Concerto No. 4 in D Major, and Haydn: Symphony No. 44. Some years ago, my dear Peabody Conservatory violin teacher Shirley Givens    [continued]

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January 1, 2019

Helen, thy beauty is to me….


Odyssey Opera continues its sixth season next month at the Huntington Theater with the Boston premiere of Gluck’s (1770) Paride ed Elena to Ranieri de’ Calzabigi’s libretto. This marks the first of three works to be performed in Winter/Spring 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. The    [continued]

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December 5, 2018

Interesting and Unusual Opera CD Suggestions


Last year in this space [HERE] I offered an overview of more than a dozen fascinating new CD releases of opera recordings, ending with detailed reviews of two additional operas: by Bellini and by English composer John Joubert. My feature stirred up some lively comments. During 2018 the harvest has been even more astounding. Whether    [continued]

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December 3, 2018

Camerata Seasonal Renaissance Music: Legendary & Hot


Ever ready to assist in the marketing activities of our literate and resourceful presenters, we herewith take note of the potential Gloire, Sororité and Fraternité in Boston Camerata’s five forthcoming holiday concerts. Artistic Director Anne  announces that she is pleased this year, to be unveiling a brand-new production, full of color and sweep. “Gloria: An    [continued]

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November 28, 2018

Marvin’s Ninth Inning


In 2010, following his retirement after 32 years as Director of Choral Activities at Harvard University, Jameson (Jim) Marvin founded the Jameson Singers, an SATB choir of some 70 voices, which draws  experienced amateur singers across Boston (and includes many of Marvin’s former Harvard students). The ensemble’s 9th season will be Marvin’s final one. Exuberant    [continued]

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November 26, 2018

MIT Announces Major Gift for Music Facility


Finding the money and the will to build a major building for the musical arts at Massachusetts’s most famous technical institute has been bruited about for more than 50 years. With the announcement that Joyce Linde, a longtime supporter of MIT and the arts, has made a “cornerstone gift” to enable building a new “state-of-the-art”    [continued]

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November 19, 2018

Larry Phillips Remembered


Our friend over many years and BMInt colleague Ellis Laurimore Phillips III died on October 31st, at age 70, from complications of Type-1 diabetes. The harpsichordist, organist, composer, music critic, and philanthropist, seemed never to age, though he bore a long decline with bemused stoicism. He partook in the musical and social life of Boston    [continued]


November 16, 2018

War and Dance in Brass


Bay Colony Brass provides Bostonian music lovers with unique large brass ensemble performances. The group—some 20 volunteer performers—was founded in 2000 and incorporates each member of the large brass instruments as well as percussion. Led by Music Director Patrick Valentino, Bay Colony Brass most closely resembles the one-to-a-part full brass section of a large symphony    [continued]

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November 15, 2018

Tanglewood Season Only 7+ Months Away!


The next 2019 Tanglewood season offers something for everyone, with concerts six out of seven days during most weeks and two on Sundays. The spectrum of offerings is remarkable as well. Traditional orchestral heavies are well-represented: two Mozart, six Beethoven (including three symphonies), Schubert (Symphony 2), two Mendelssohn (Midsummer and Scottish), four Schumann (including the    [continued]

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November 10, 2018

BoC-Berk Band Hits Silkroad for Werden Brüder


For almost two decades, Boston’s Silkroad initiative has attempted to enact, in music and other art forms, its firm belief that engaging and embracing difference builds a more hopeful world. They have shown that music specifically can spark radical cultural collaboration and passion-driven learning. Friday November 16th at 8pm, Grammy Award-winning Silkroad soloists join the    [continued]

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November 3, 2018

Yes, Yes, Nonet


The now elusive Louise Dumont Farrenc (1804-1875) was once a prominent French composer, virtuoso pianist, and teacher, who had received favorable notice from Hector Berlioz, Robert Schumann, and others. The Weston Wind Quintet & Friends will be giving a rare performance of her Nonet in E-flat Major op. 38, for string quartet and wind quintet    [continued]

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October 31, 2018

Ardent for Du Bois


W.E.B. Du Bois’s 150th anniversary has inspired the Du Bois Orchestra to feature Schubert, Wagner, and Coleridge-Taylor at University Lutheran Church on November 3rd, in the third concert of a series celebrating the life and legacy of the visionary Harvard sociologist, who combined music, sociology, and philosophy to fight for social equity. Since the orchestra’s    [continued]

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October 26, 2018

A Gounod Journey Through Sensual Melody


Odyssey Opera extends its salute to the French composer Charles Gounod, as Boston’s most innovative opera company claims the local premiere of the 1858 Le médecin malgré lui  (The Doctor in Spite of Himself). In its sixth season, Odyssey, one of the nation’s most adventurous companies, continues its Gounod voyage on Friday November 9th at    [continued]

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October 23, 2018

Great and Imperial Classicists Cleaned


If plopped in Symphony Hall in a couple of weeks, would Schubert and Beethoven relish the Staubsaugering of two centuries of dust the from their Great Symphony and Emperor Concerto? BMInt’s own brilliant advisor the virtuoso pianist Robert Levin, with dynamic conductor Richard Egarr and the H+H Orchestra, will be cleaning up these masterpieces for    [continued]

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October 18, 2018

Cantatas of Love and War from the Sun King’s Fadeout


As is their wont, Les Bostonades tunes to its French Baroque channel on Friday at Gordon Chapel of Old South Church. Two cantata modern premieres are up: Gervais’s Telemaque and Renier’s L’Indifference Puni (US premiere). Zachary Wilder, onetime Boston-based tenor who has gone on to make a name for himself across Europe and more recently    [continued]

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October 15, 2018

Reviving a Searing Attack on Opera Seria


Christoph Willibald Gluck’s name appears more frequently in musical textbooks than in concert programs today; though performances of his better-known works (Orfeo, both Iphigénies, and Alceste) do visit contemporary stages periodically, they are by no means standards of the operatic stage. Therefore, his opera Alceste, will be arriving as something of a novelty, when Edward    [continued]

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October 8, 2018

BLO Rosina Confides and Opines


Boston Lyric Opera’s five-performance run of Rossini’s ever-popular Barber of Seville begins Friday at the Majestic Theater. David Angus will conduct stage director Rosetta Cucchi’s production designed by Julia Noulin-Mérat, costumed by Gianluca Falaschi, and lighted by DM Wood. The cast comprises Matthew Worth as Figaro, Daniela Mack as Rosina, Jesus Garcia as Almaviva, David    [continued]

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September 29, 2018

Donald Wilkinson: The Angel Took Risks


How, then, to say goodbye to a collaborator, colleague, and companion of 25 years, someone with whom we made music, sharing good times and bad, season after season, adding up to a full third of man’s biblical lifespan? What appropriate, meaningful words can come forth, even as we struggle with our tears and our grief,    [continued]


September 24, 2018

Twelve Tones in Tinseltown


Arnold Schoenberg fled the darkness and despair of Hitler’s Europe for 1930s Hollywood—a bold new world of golden sunshine and camera-ready beauty. Can he find a way to reconcile reflection with action, and tradition with revolution? What meaning has art in the wake of atrocity? These are questions composer Tod Machover tries to settle in    [continued]

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September 18, 2018

Gounod Grand Opera To Be Outed


Having found long-missing original parts for Gounod’s La reine de Saba, or The Queen of Sheba, Gil Rose is now preparing to lead Odyssey Opera in a concert version on Saturday, September 22nd, at Jordan Hall, in what may be both the American premiere of Gounod’s grand opera, as well as the first complete performance    [continued]

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September 15, 2018

80 Years, and 45 at the Conservatory


The genial interlocutor with the nimbus-bright silver fro who presides over First Mondays at Jordan Hall has a major birthday coming up. New England Conservatory celebrates Laurence Lesser, legendary cellist, passionate teacher, and President Emeritus, for his 80th Birthday in NEC’s season-opening orchestra concert on Wednesday, September 26th at 7:30 pm at Jordan Hall. Lesser    [continued]

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September 7, 2018

Continuing To Fulfill Mrs. Gardner’s Mission


The Isabella Stewart Gardner Museum’s music season gets underway with back-to-back concerts of mostly site-specific repertoire this weekend. The highlight may come in a commissioned work responding to Whistler’s “Nocturne, Blue and Silver: Battersea Reach,” which hangs in the Museum’s Yellow Room. Jessica Meyer wrote Grasping for Light during her week-long residency at the Museum    [continued]

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September 5, 2018

BPYO Brought Mahler Back Home


Next week the Boston Symphony may be bringing Mahler’s Third (along with Bernstein and Shostakovich) on a European tour, but the Boston Philharmonic Youth Orchestra got the Mahler march on the BSO last June. Benjamin Zander designed his 25th youth orchestra tour in 47 years as a kind of pilgrimage through Mahler’s life, from his birthplace to    [continued]

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