The redoubtable Cathy Chan

The well-respected Foundation for Chinese Performing Arts Summer Festival has relocated to the New England Conservatory. Beginning on August 7th, NEC’s attractive new Burnes Hall will ring out with distinguished performers of varied cultures and generations in 15 recitals. Hardly strangers to NEC, since 1990, FCPA has presented 131 memorable concerts in Jordan Hall with notable pianists, cellists, and violinists, in standard repertoire as well as some traditional Eastern instruments and rep. Click HERE for this impressive historical list.

Until this summer the annual music festival took place at the Walnut Hill School for the Arts. Its alumni include Lang Lang, Yeol Eum Son, Kate Liu, Eric Liu, and Channing Yu, to name a few. For the past 30 years, students have come from all over the world to enjoy three weeks of exhilarating music making with the festival’s distinguished faculty members. The residents enjoyed many masterclasses, daily evening performances and concerto competitions. It provided a perfect platform for students of Asian heritage to study abroad, and allowed them to jump right into the heart of the Boston musical scene. Over the years, many stayed after the festival to study at Walnut Hill, and students from different years bonded into a big family all over the world.

Sadly, earlier this year, Walnut Hills administrators informed FCPA that venue rental fees, would double and triple (presumably 3x the original amount) in the next. The Foundation kept its mission of creating an accessible musical platform for all students by making the tuition affordable, and offering some scholarships, even if it meant leaving a negative balance.

So, this sudden and substantial increase in rental fees made a dent spiritually and financially, directly causing the discontinuation of the annual festival. The news struck and saddened the music community of Greater Boston. [continued…]

The Mercury Orchestra, an accomplished volunteer contingent directed by the musical polymath Channing Yu, focused on late-romantic works ranging from romance through marriage, illicit love and ecstasy to death Sunday at Sanders; they did not disappoint.    [continued]

The first conductor

Nature planning to visit the Esplanade with rain, the Landmarks Orchestra concert will seek shelter in Jordan Hall tonight.

Boston Landmarks Orchestra begins its 19th season ( and 13th on the Hatch Shell) by commemorating the 50th anniversary of Apollo landing on the surface of the moon. In partnership with the Museum of Science, under the guidance of Wayne Bouchard, the Museum’s Interim President and CEO, and Danielle Khoury LeBlanc, Director of the Museum of Science’s Charles Hayden Planetarium, Wednesday’s program explores many aspects of the Apollo mission, space travel, and the wonders of the universe through the following works: John Adams’s Short Ride in a Fast Machine, Leroy Anderson’s Summer Skies, Richard Strauss’s Thus Spake Zarathustra, Joaquín Rodrigo’s In Search of the Beyond, John Williams’s Close Encounters of the Third Kind, and Philip Glass’s Icarus at the Edge of Time (excerpt).

Charles Wilcox, the Planetarium’s AV Producer, Jason Fletcher, Associate Producer, Wade Sylvester, Special Effects Producer, and the staff of the Planetarium have created original video work, synchronized to the orchestra’s live performance. They have adapted material from the Planetarium’s full-dome science shows: Undiscovered Worlds; Moons: Worlds of Mystery; Dream to Discovery: Inside NASA; and Destination Mars: The New Frontier. They have also used material from the Planetarium’s extensive collection of entertainment programs featuring live musicians, entertainers, and albums by Beyoncé, David Bowie, Prince, and others. [continued…]

The BSO billed Saturday night’s concert at Tanglewood as a celebration of the life of Andre Previn, the polymath pianist (of both jazz and classical repertory), composer, and conductor, not to mention the sometime husband of the evening’s soloist, Anne-Sophie Mutter.    [continued]

Several years ago, Boston Symphony Artistic Administrator Anthony Fogg suggested a way of expanding the use of the Tanglewood facilities beyond the active period from Memorial Day to Labor Day, and also to provide a greater range of intellectual stimulation to Tanglewood visitors. The suggestion grew into the Linde Center, which consists of indoor spaces (to be cooled in the summer and heated in the winter) as well as a food service. The buildings that form the line of halls strung attractively along a covered walkway a short distance from Ozawa Hall were designed by William Rawn, the architect whose plans for Ozawa Hall proved so exceptional a quarter century ago. The formal opening took place a week ago, and the Linde Center is being used extensively during this summer, with a growing list of activities expected in later months.

In addition to the many types of performances, the Tanglewood Learning Institute (TLI) will present open rehearsals, master classes, interviews with leading artists, a series of lecture talks by distinguished participants who are not themselves musicians, but who may include some element of music’s relationship to their life and work. The first of this summer’s high profile lectures featured former Secretary of State Madeleine K. Albright, speaking in Ozawa Hall on Saturday afternoon for about 40 minutes, followed by 15 or 20 minutes of questions posed by Ranny Cooper, who was Senator Ted Kennedy’s chief of staff. [continued…]

In the unlikely setting of Time and Space Ltd. in Hudson, Aston Magna dispensed a real treat, filling a small film theater on Friday with an audience almost as large as its entire previous season at Bard    [continued]

Pianist Max Levinson wowed at Rockport’s Shalin Liu Performance Center Sunday as soloist and in collaborations with pianist Sae Yoon Chon, cellist Andés Díaz and violinist Barry Shiffman.    [continued]

As was the case with many of its distinctive offerings, WHRB’s first nine-hour July 4th American classical music program came at the initiative of David Elliott, the voice of WHRB for 58 years. The station was broadcasting 24/7 by the year 2000, and he felt that it should recognize the Fourth with selections going beyond the usual warhorses (e.g., Appalachian Spring, Rhapsody in Blue). David attended scrupulously to every detail as he would do in his famed post-Met vocal broadcasts. He took time selecting each piece, comparing performances, and ensuring that each work flowed well into the next in order to give listeners a relaxing, enjoyable, and ear-opening nine-hour musical journey through American history.

I had developed an interest in American classical music early on when I first became aware of Aaron Copland while watching him conduct the New York Philharmonic in his own music on a Young People’s Concert telecast over CBS in December, 1969. WHRB was a wonderful place for me to explore this interest in greater depth and one of the highlights of my Harvard years was when David arranged for us to interview Copland during a visit he made to campus in November, 1977. [continued…]

Eliot Fisk’s June 29th Jordan Hall recital sailed forth without being encumbered by its great length. This, the second to last concert of the 14th Boston Guitar Fest, featured the Artistic Director in a potpourri of music from four different centuries.    [continued]

Maverick Concerts in Woodstock, just beginning its 104th season, has some unusual features this year. Its Sunday concerts are all classical music, but the Saturday evenings will all be something else. Yesterday featured the return of the Shanghai Quartet, the longest running ensemble in the current Maverick schedule.    [continued]

The late Robert Honeysucker singing “At the River” in 2012.

Every Wednesday night, beginning July 10th, and continuing for seven weeks, the Boston Landmarks Orchestra, made up of many of the area’s finest professional musicians, will offer free concerts at the Hatch Memorial Shell on Boston’s Esplanade. All concerts begin at 7 pm; the Season Tune-Up Party on July 10th begins at 6 pm.

In case of rain, most concerts are rescheduled for Thursday (though not all). If it rains on Thursday as well, concerts take place at an alternate venue (in most cases). Check the Boston Landmarks Orchestra website for rain plans, as they vary from week to week.

We use great music to bring together people from diverse backgrounds, and to address issues of vital importance to our community. Community involvement is the starting point in our planning process, not an added element. We offer concerts in a spirit of informality and fun. Children dance in front of the stage. A Maestro Zone is available where people of all ages can look at a conductor’s score, wave a baton, and receive a conducting lesson. Best of all—to certain people—we encourage you to bring your dog to any of our concerts. [continued…]

Central to the Brookline Consort concert of the music of many faiths that took place at June 22nd at United Parish Church in Brookline, and the inspiration for its title, stood Ernest Bloch’s Avodath Hakodesh (Sacred Service).    [continued]

Halcyon Music Festival’s “The Colors of Spain” allowed Friday’s listeners in St. John’s Episcopal Church, Portsmouth to hear chamber music of some Spanish composers of the late 19th and early 20th centuries who are better known for their solo piano pieces and, especially, their vocal works.    [continued]