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The Boston Musical Intelligencer

a virtual journal and essential blog of the classical music scene in greater Boston

Lee Eiseman, publisher; Robert Levin, advisor; David Moran, assisting editor; Bettina A. Norton, emerita editor

  • NEWS & FEATURES
  • REVIEWS
  • UPCOMING EVENTS
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About: Stephanie Oestreich

Articles by Stephanie Oestreich:

  • Operatic “Awakening” of Oliver Sacks’s Memoir, 26 Feb 2023 in Reviews
  • Claremont Trio Does the Gardner, 06 Feb 2023 in Reviews
  • BSO Does Justice to Wagner in Concert, 04 Feb 2023 in Reviews
  • Invocation, Passion, Resurrection, and Adoration, 23 Aug 2022 in Reviews
  • Prize-Winning Partners Excite Williams Hall, 17 Aug 2022 in Reviews
  • Satisfying Mix Comes to the Shed, 09 Aug 2022 in Reviews
  • Lively and Accessible New Music, 08 Aug 2022 in Reviews
  • Telling Musical Tales, 21 Jul 2022 in Reviews
  • Pianist Celebrates a Brahms Renaissance, 18 Jul 2022 in Reviews
  • The Dover Quartet Plays Another Beach, 10 Jul 2022 in Reviews
  • Synesthesia to the Nth Degree, 25 Jun 2022 in Reviews
  • RCMF Opens in Boffo Style, 12 Jun 2022 in Reviews
  • BMOP Musics Ellen Zwilich’s Portrait, 10 Apr 2022 in Reviews

Recent Comments

  • Rosamond van der Linde on Pianist Mackenzie Melemed Wows Rockport
  • cj on DSO Adds Boston to Its Tour
  • Bennett on Spring Rites and Empyrean Heights
  • Jeffrey Gantz on Bluebeard’s Castle Opens Different Doors
  • Bill Gross on DSO Adds Boston to Its Tour
  • David Grahling on DSO Adds Boston to Its Tour
  • David Kravitz on Bluebeard’s Castle Opens Different Doors
  • Charles Blandy on Bluebeard’s Castle Opens Different Doors
  • Forrest Knowles on Enigmatic and Poignant Dido and Aeneas
  • Christopher Greenleaf on Bach Might Have Played This Piano
  • Lee Eiseman on Voices of Loss, Reckoning, and Hope Part III
  • Mark Lutton on Voices of Loss, Reckoning, and Hope Part III

© B. M. Int.

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