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a virtual journal and essential blog of the classical music scene in greater Boston

Lee Eiseman, publisher; Robert Levin, advisor; David Moran, assisting editor; Bettina A. Norton, emerita editor

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About: Elizabeth Erenberg

Elizabeth Erenberg is a graduate student in flute performance at the New England Conservatory, where she is the editor of The Penguin. Elizabeth has been an intern for Radius Ensemble, and is currently the intern for The Boston Musical Intelligencer.

Articles by Elizabeth Erenberg:

Connecting the Old with the New: Stravinsky’s Petrushka at the Paramount, 11 Nov 2010 in News & Features

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Rosamond van der Linde on Pianist Mackenzie Melemed Wows Rockport
cj on DSO Adds Boston to Its Tour
Bennett on Spring Rites and Empyrean Heights
Jeffrey Gantz on Bluebeard’s Castle Opens Different Doors
Bill Gross on DSO Adds Boston to Its Tour
David Grahling on DSO Adds Boston to Its Tour
David Kravitz on Bluebeard’s Castle Opens Different Doors
Charles Blandy on Bluebeard’s Castle Opens Different Doors
Forrest Knowles on Enigmatic and Poignant Dido and Aeneas
Christopher Greenleaf on Bach Might Have Played This Piano
Lee Eiseman on Voices of Loss, Reckoning, and Hope Part III
Mark Lutton on Voices of Loss, Reckoning, and Hope Part III

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