IN: Reviews

Bach Dialogues


The Maverick Concerts series extended its run Sunday afternoon in a special free event in memory of Maverick supporter Alan Siegel, who with his wife Sandy, had been good friends with the performer, pianist Pedja. The artist’s “Bach Dialogues” interspersed two quite recent pieces among three works of Bach. Since Muzijevic also performs as a harpsichordist (he studied with the great Albert Fuller), the stylish quality of his playing in Bach’s Partita No. 2, in C Minor came as no surpise. His clear and direct interpretations never blurred with pedal. He took all repeats and embellished them imaginatively. He even managed a note-perfect performance of the treacherous final Capriccio, hitting every one of the Scarlatti-esque skips accurately.

David Fulmer’s “whose fingers brush the sky” seemed to me like post-Messiaen musings with some work inside the piano. Not extremely inspiring but intriguing enough for a few minutes. Muzijevic gave it obvious dedication.

Bach’s early Capriccio on the Departure of a Beloved Brother may not be his greatest composition, but it’s amusing to hear this great master tone painting great program music and concluding it with a sparkling fugue. Again Muzijevic gave complete satisfaction.

James Joslin’s Cadaquésan Landscape used two metronomes ticking on either side of the piano, and a music box hiding inside the piano which played bits from Swan Lake. Or so I was told; I couldn’t hear it clearly enough to know what it was playing. If it offered more gimmicks than content, it also went by with merciful brevity.

The concert concluded with something of a novelty, Bach’s Sarabanda con Partite in C Major, BWV 990. Muzijevic opined that some doubt whether this is authentic Bach, but, as he concluded, “if he didn’t write it, I want to know who did.” If I had just heard it without introduction, I would probably have guessed Handel, but I have no reason to doubt the attribution. Muzijevic spiced it up with attractively embellished repeats.

A full house enjoyed this gift. Siegel would have loved it too. 

Leslie Gerber, who lives in Woodstock, New York, has been reviewing professionally since 1966, for such venues as Performance Today, Fanfare, and He also publishes the Parnassus Records label.


4 Comments [leave a civil comment (others will be removed) and please disclose relevant affiliations]

  1. Mr. Gerber! Which Maverick? Which Woodstock? Sorry to pick on you but it’s been a beef here for awhile. I consult the BMI frequently for updates for what’s going on and I don’t like being led astray. Sorry, but that’s the truth.

    Comment by Nathan Redshield — September 22, 2019 at 1:41 pm

  2. If not as readily inferrable as it is for some readers, just google “Maverick Concerts”, with the quotation marks.

    Comment by davidrmoran — September 22, 2019 at 4:26 pm

  3. We make a point of placing the calendar listings carefully. In the reviews it’s pointless to list complete addresses for familiar venues. The review above is our 125th dispatch from Maverick Concerts.

    Comment by Lee Eiseman — September 22, 2019 at 6:47 pm

  4. Not to beat a dead horse further, some of us don’t use smart phones and I have had to use search engines and do some digging to find where something actually was. Sorry, but for the record Maverick Concerts is known as “the people who think there’s only one Woodstock in the World and everyone in creation is supposed to know where it is”. BMI readers would think it annoying if I assumed they all knew what and where Glimmerglass is in my writings. This originally came up because Maverick was doing something interesting and I thought Woodstock CT. Then I thought Woodstock VT, a similar rich community near White River Jct./Hartford VT. Turned out Maverick’s Woodstock is in NY about 250 miles away. BMI’s function to its users is to make music accessible which is why I look at the calendar several times a week. Making that calendar clear is essential if we are to let more listeners know what’s out there. The Boston Opera Calendar is a model of how things should be done. IMPROVE! Sorry.

    Comment by Nathan Redshield — September 22, 2019 at 9:49 pm

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