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CLT Will Reveal Carmen’s Motivations


Commonwealth Lyric Theater’s artistic and stage director Alexander Prokhorov has taken inspiration from Peter Brook’s La Tragédie de Carmen, which in 1983, condensed the opera to its most dramatic, action-filled moments. Prokhorov’s version, while preserving all great hits, like the lively and quintessentially Bizet quintet and the fun-filled children’s chorus (performed by the Lucky Ten Young Talent Studio), comes in at about two hours.

The opera forms part of Newton Arts Festival at the beautiful Hall at Newton City Hall, where the focus of the set design is on Michael McTeague lighting. The accompanying ensemble of string quartet with flute, clarinet, percussion and piano should sound pleasingly full in the lively space.  

From Prosper Mérimée’s source novel, we learn that the young Carmen’s forced marriage to an older gypsy accounts for her unpredictable behavior towards the men she meets.  

Don José, as dual cast with Italian tenor, Giovanni Formisano (May 17 and 19) and by a Spanish tenor, Germán Gholami (May 18), is a young man, who has only known the innocent, platonic love he shared with his childhood friend and betrothed, Micaëla.  But the attentions of the titular gypsy girl, of course,  transform him from an obedient and gentle young man into a murderer.

CLT’s character development takes liberties in changing the course of events. Thus, for example, Escamillo, performed by the Metropolitan Opera renowned artist Franco Pomponi (May 17 and 19) is mortally wounded by the bull at the end. There are a few other plot twists, but spoilers will not be forthcoming.

One can expect dancing on the table, and two solos with castagnettes by Sabrina Avilés who has been performing flamenco and Spanish classical dance for over 25 years.

This is Mexican-American conductor Ismael Sandoval’s second year, working with Commonwealth Lyric Theater.  A strong leader, yet Sandoval’s remains sensitive to singers’ interpretations.  

As is already CLT’s tradition, the costumes are created especially for the show, designed and sewn by a group of designers and volunteers, headed by Natalia Stolyarova and Yekaterina Bolotovskaya, evoke the historical period of the 19th-century Seville

Sergey Didenko, Sergey Vertkin and Greg Besher executed the sets are executed in the best of theatrical traditions, creating a sense of the place and time of action.

Carmen Runs May 17, 18 and 19
Newton City Hall, 1000 Commonwealth Ave
Tickets HERE

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1 Comment [leave a civil comment (others will be removed) and please disclose relevant affiliations]

  1. Sadly I had to miss this as I was away for all performances. This company has done some Clever Things (a stripped-down Boris Godunov for openers) before and the music is NEVER slighted; would love to read a review. Sounds like I had to miss a treat in this version; I’ve seen Carmens before tho’ not the recent BLO Euro-Trash version. But…for years CLT had had a “mission” of doing Slavic culture operas (I’m part Habsburg-friendly Slavic) and last year there was only a short excerpt from Pikovaya Dama. This year they did their previous production of that Ukrainian opera they did in 2015 which I saw then. So…is CLT going to return to the Slavic repertoire?

    Comment by Nathan Redshield — May 20, 2019 at 5:22 pm

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