in: News & Features

November 12, 2016

Greek for the Strong of Heart

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turnageBoston Lyric Opera brings a new British verismo opera to Boston’s Paramount Center at Emerson on ‘Wednesday through Sunday. “Turnage’s opera Greek, and the play it’s based on, Sophocles’s tragedy Oedipus Rex  [multiple-choice test for classicists HERE], tamper a bit with the story,” according to director Sam Helfrich. “I like messing with the classic model, finding a new window into the house,” he says. 

Set against the background of British politics in the 1980s, this contemporary work showcases the music of Mark-Anthony Turnage and the 1980 play by actor and playwright Steven Berkoff (1937-). In film, Berkoff has brought to life many memorable villans, such as Victor Maitland in Beverly Hills Cop and General Orlov in Octopussy. True to the disturbing plot points of Oedipus Rex, and infused with the politics and language of Berkoff’s play, Helfrich says Greek is not for the faint of heart.  “It’s raw and slightly ugly,” Helfrich says.  “But it’s what I want opera to be: a theatrical experience.”  (NOTE: In addition to explicit language and themes, Greek includes violence and sexual content. It is not recommended for immature audiences.)
Composer Mark-Antony Turnage (1960-) was the BBC Symphony’s first Associate Composer and held the post of Composer in Residence for the London Philharmonic Orchestra from 2005-2010. A student of Gunther Schuller and Oliver Knussen, his major works include a controversial 2011 opera based on the life and death of Anne Nicole Smith, four large commissions for the Birmingham Symphony Orchestra (including Three Screaming Popes and Speranza, given its American premiere by the BSO), and a premiere at the English National Opera (The Little Tassie, 2000). Last year he was appointed a Commander of the Order of the British Empire (CBE) for his services to music.

Greek traces some of its origin to Massachusetts. In 1983 Turnage was a composition fellow at the Boston Symphony Orchestra’s (BSO) Tanglewood Music Center, where he worked with composer Gunther Schuller and studied with the eminent German composer Hans Werner Henze, who was that summer’s composer-in-residence.  Henze encouraged Turnage to write opera.  He initially refused, fearful of the art form’s perceived stuffiness.  But a commission from Munich’s Biennial – arranged by Henze – convinced Turnage. And a suggestion from the prominent English actor and playwright Berkoff led Turnage to adapt his play.

The opera premiered in the Carl-Orff-Saal of Munich’s Gasteig complex in 1988. This room, specially built to house audiences of 550-590, is considered the most successful part of the Gasteig. BLO will perform Greek in Emerson’s renovated art deco 590-seat Paramount theater, recreating the intimacy and acoustics of the work’s premiere. Although some contemporary operas benefit from houses that can seat over 2,000 people, most are best heard in more immediate settings, with the performers close to the audience. When famed conductor Leonard Bernstein was asked his opinion of the Gasteig’s larger Philharmonie space (which can seat 2300 people), he replied, “Burn it.”

Four singers play the eleven main roles in Greek, which begins and ends in London’s East End (replacing ancient Thebes). Only one singer (UK-based new music champion Marcus Farnsworth) inhabits a single role (Eddy/Oedipus), and four other actors represent crowds, functioning as a typical “Greek chorus.” Caroline Worra returns to BLO playing Eddy’s Mum, Waitress, and Sphinx #1. Mezzo-soprano Amanda Crider makes her BLO debut as Doreen, Waitress/Wife, and Sphinx #2. Baritone Christopher Burchett returns to BLO to play Dad, Café Manager and Chief of Police.

The BLO’s production will mark the first major American run of this seminal third stream/post-punk/classical work, and Esther Nelson, BLO’s Stanford J. Calderwood General and Artistic Director remarks, “This is a 20th-century masterpiece. Mark-Anthony’s operatic work has never been performed in Boston and it’s fitting that our Opera Annex should feature this important contemporary voice. I am pleased to present this bracing, explosive and wildly entertaining work in our 40th season.”

See related review here.

Actor/ playwright Steven Berkoff as General Orlov in Octopussy.

Actor/ playwright Steven Berkoff as General Orlov in Octopussy.

Greek
Music by Mark-Anthony Turnage
Based on Steven Berkoff’s stage play of the same title
Libretto adapted by Mark-Anthony Turnage and Jonathan Moore

Sung in English with English surtitles

Conductor Andrew Bisantz
Stage Director Sam Helfrich
Set Designer John Conklin
Costume Designer Nancy Leary
Lighting Designer Chris Hudacs
Fight Director Andrew Kenneth Moss
Wig and Makeup Designer Jason Allen
Dramaturg John Conklin
Surtitle Designer Allison Voth

CAST

Marcus Farnsworth* as Eddy
Caroline Worra as Eddy’s Mum | Waitress | Sphinx
Amanda Crider* as Doreen | Waitress who becomes Eddy’s Wife | Sphinx
Christopher Burchett as Dad | Café Manager | Chief of Police

Actors: Dani Berkowitz*, Erin Eva Butcher*, Caleb Cedrone*, Nile Hawver*

* Boston Lyric Opera Debut
† Boston Lyric Opera Jane and Steven Akin Emerging Artist
‡ Boston Lyric Opera Jane and Steven Akin Emerging Artist Alumnus

Emerson/Paramount Center
559 Washington St., Boston

Nov. 16 @ 7:30pm; Thu, Nov 17 @ 7:30pm; Sat, Nov 19 @ 7:30pm;
 and Sun, Nov 20 @ 3:00pm    $25-$82. 

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